The C&H Sugar refinery near the Albert Zampa Memorial and Carquinez Bridges as seen from downtown Crockett.
Carlos Avila Gonzalez/S.F. Chronicle
I’ve passed Crockett so many times in the last half-century, that I’m convinced it can’t live up to the legend built up in my mind.
It appears like a model-train village while crossing west over the Carquinez Bridge. And in a region where change is constant, this town of 3,642 residents never seems to budge: The ancient brick C&H Sugar factory keeps chugging along. There are a hundred trees for every house. I feel like I can hear the Crockett birds singing from inside my automobile.
“It’s like this little town that’s lost under the bridge,” says Samantha Bartlett, who co-owns a whimsical Crockett antique store called Cat Vintage.
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After more than 1,000 Crockett drive-bys for childhood Tahoe trips, Vallejo family hangouts and Davis college visits for my son, I finally stepped inside the city limits on a recent Friday. And I’m happy to report that the one stoplight town (literally) is worth the off-ramp detour, and a sneaky-great day trip for Bay Area residents who love to bike and ride transit.
Partners Sarah Eicher and Graham Keeton, right, enjoy a drink at Toot’s Tavern in downtown Crockett. The bar also hosts live bands.
I alternate between cursing and praising Javier, as each turn in the road seems to reveal another big hill, followed by another unforgettable sight: old cemeteries, majestic hawks and ruins of the Port Costa piers.That waterfront townused to handle most of the grain passing through the Bay Area. Now it has 193 residents. (And 192 of them seem to be displaying Pride flags.)
The downhill ride into Crockett gives a taste of the charm to come.Revival Coffeeis a welcoming community space nestled in the town’s old mortuary chapel. Anoctagonal American Legion memorialis covered with flags.The Crockett Museum, housed in the former train station, has C&H history, tributes to service members, mounted yearbook photos going to the 1920s and the first Crockett school bell.
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Miriam Cox, owner of Revival Coffee, looks out the window of her Crockett café.
Carlos Avila Gonzalez/S.F. Chronicle
Inside, I meet volunteers Dick Boyer and Erin Brosnan, the perfect representation of Crockett’s key demographics. Boyer is an initially prickly but plugged-in local (John Swett High School class of ’55) who warms quickly. Brosnan moved here from Oakland in 2005, and fell in love with the small-town feel. In Crockett, she says, you can join a trash pickup with your kids and see the impact of your work. “You really feel like you can be part of something. I love being around that.”
Stephen Nash touches up the coals on his grill outside his Ruby Q Smoke Fusion barbecue on Pomona Avenue in downtown Crockett.
Carlos Avila Gonzalez/S.F. Chronicle
The train stop in the early 1900s served two towns, Valona and Crockett, which had an unhealthy rivalry. There were two high schools, two mortuaries and two movie theaters — which sometimes would show the same picture, even though they were just blocks apart. (Crockett apparently won this battle. Valona is now an unincorporated community in the hills.)
C&H started in 1906, which Boyer says was good for the town. The first plant manager was civic minded, putting in a swimming pool, community center, rifle range and anything else people needed.
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Local residents play bocce ball at Rithet Park across the street from C&H Sugar refinery in downtown Crockett.
Carlos Avila Gonzalez/S.F. Chronicle
“He learned a long time before he started here, if you keep your workers happy, you aren’t going to have any problems,” Boyer said.
The Carquinez Bridge’s debut in 1927 changed Crockett’s look, but not the working-class atmosphere. The newer suspension bridge is named after Al Zampa, an iron worker who built the biggest Bay Area bridges, joining the “Halfway to Hell Club” when he fell off the Golden Gate Bridge into a safety net that put him in a body cast for 12 weeks. (“If I’m so lucky,”he reportedly saidat the hospital, “then what am I doing here?”)
The Albert Zampa Memorial and Carquinez bridges are visible between support pillars in downtown Crockett.
Carlos Avila Gonzalez/S.F. Chronicle
Two blocks inland from the factory, I reach the main drag, Second Avenue, which, like every other street in this town, is on a hill.
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Locals recommend Lucia’s sandwich spot — “pronounce it loo-chee-uhs” I’m warned twice — over the more well-known Dead Fish restaurant on the other side of the freeway. As I eat my fancy club sandwich — there’s homemade aioli and hints of lemon juice in the greens — it reminds me of my stopat Provisions in Vallejo. More great chefs should get tired of the big cities and set up their dream restaurants in old downtowns with much lower rents.
Lucas Black hands an order to a customer at Lucia’s Craft Sandwich shop in Crockett.
Carlos Avila Gonzalez/S.F. Chronicle
I cruise around on my bike, marveling at the old and new. Someone has set up a batting cage in the old brick fire house. Public bocce ball courts are well groomed and ready for action. A model train societyroosts in the top floor of the union hall. Toot’s Tavern (established in 1901 by one Donato “Toots” Pezzuto) is filled with locals, and one white terrier.
I settle into theCrockett Libraryto check emails, and it’s the most endearing stop yet. The 1,000-square foot craftsman house has just two tables, one occupied by Mark, the librarian. “We have sticker-making on this table for the kids at 2:30,” he says. “We might have to move you to a computer desk.”
There’s a surprising amount to do in town, much of it free. The library has a “Dungeons & Dragons” night. Toot’s hosts local bands.A skate shopsponsors DJ sets and art nights. If I ever get sent to witness relocation, I’m moving here.
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Joe Kaline, left, and Eric Eidbo, of Sourdough Joe and the Beat Meters perform at Toot’s Tavern in downtown Crockett.
Carlos Avila Gonzalez/S.F. Chronicle
The last stop of my visit is Cat Vintage, founded by New England native Samantha Bartlett and her sister Jessie. The interior is well-organized with antique clothes, old Sunset magazines, a giant glass puma and hundreds of VHS tapes. (“The Secret of NIMH” is playing on a small 1990s television.)
“California was kind of a culture shock when I moved here,” Samantha says. “It was so different from the little towns I lived near in Maine. Crockett felt like a little bit of home for me.”
I grab a VHS copy of “E.T. the Extra-Terrestrial” and a 1970s Dynamite magazine with a teen Mark Hamill on the cover, and wonder why I didn’t take the off-ramp here 35 years sooner.